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Searched Musipedia for:
Melodic contour (Parsons code): UUUDDDUUDDUUDDDDDUUUDDDUUUDDDUUDDUUDDDDDUUDUDUUUDDDDDDUUUUDDDDUUUDDDUUUDDDDDDUUUUDDDDUUDU,
which can be visualized as follows:
      *                                                                                                                                                                            
     / \                                                                                                                                                                           
    *   *       *       *                                                                                                                                                          
   /     \     / \     / \                                                                                                                                                         
  *       *   *   *   *   *                                                                                                                                                        
 /         \ /     \ /     \                                                                                                                                                       
*           *       *       *           *           *                                                                                                                              
                             \         / \         / \                                                                                                                             
                              *       *   *       *   *       *       *                                                                                                            
                               \     /     \     /     \     / \     / \                                                                                                           
                                *   *       *   *       *   *   *   *   *                       *                                                                                  
                                 \ /         \ /         \ /     \ /     \                     / \                                                                                 
                                  *           *           *       *       *                   *   *                                                                                
                                                                           \                 /     \                                                                               
                                                                            *       *   *   *       *               *                                                              
                                                                             \     / \ / \ /         \             / \                                                             
                                                                              *   *   *   *           *           *   *           *           *                                    
                                                                               \ /                     \         /     \         / \         / \                                   
                                                                                *                       *       *       *       *   *       *   *                                  
                                                                                                         \     /         \     /     \     /     \                                 
                                                                                                          *   *           *   *       *   *       *               *                
                                                                                                           \ /             \ /         \ /         \             / \               
                                                                                                            *               *           *           *           *   *              
                                                                                                                                                     \         /     \             
                                                                                                                                                      *       *       *       *   *
                                                                                                                                                       \     /         \     / \ / 
                                                                                                                                                        *   *           *   *   *  
                                                                                                                                                         \ /             \ /       
                                                                                                                                                          *               *        
                                                                                                                                                                                   



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2 [C] Shostakovich, Dmitri: symphony No. 1 in Fmi op. 10, 1st movement, 2nd theme
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2 [C] Bach, Johann Sebastian: St Matthew Passion No. 66 Komm süsses Kreuz
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2 [H] Holst, Gustav (1874-1934): In the bleak mid-winter
words by Christina Rosetti (1830-1894) In the bleak mid-winter f...
 

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2 [C] Mozart, Wolfgang Amadeus: horn concerto in D K412, 1st movement, 1st theme
 

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2 [C] Sibelius, Jean: Pelléas et Mélisande: Mélisande
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2 [C] Schumann, Robert: string quartet in F op. 41, 1st movement, 1st theme
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2 [C] Rimsky-Korsakov, Nikolai: Kitezh Battle of Kershenetz, 2nd theme
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3 [H] from Piae Cantiones (1582): Up! Good Christen Folk, and Listen
This is the Parsons Code for the beginning of the verse. See *UUDU...
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3 [C] Beethoven, Ludwig van: symphony No. 5 in Cmi, 1st movement, 2nd theme
 

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3 [C] Schubert, Franz: Trio in E flat, op. 100, D. 929, for violin, piano, and cello, 2nd movement
 

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Melodic Contour
(Parsons Code):
 
U=Up
D=Down
R=Repeat

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