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Searched Musipedia for:
Melodic contour (Parsons code): UURDDDUDDUUUUUUDURRUUDUUDDUUUDUDDUUUDDDDDDUDDRUURDDDUDDUUUUUUDURRUUDUUDDUUUDUDDUUUDDDDDDUDDUUURDUUDDUDUURDUDUURDUURDUUDDUUDDDDRDUDUDDUUURDUUDDUDUURDUDUURUUDUUDDUUUDUDDUUUDDDDDDUDD,
which can be visualized as follows:
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                                                         / \ / \     /     \                                                         / \ /     \ /                         \                       / \         /   \ / \ /                                 \                   /   \ /     \ / \ /                                                                     
                                                *       *   *   *   *       *                                                       *   *       *                           *               *-*   *   *   *   *     *   *                                   *-*   *   *       *     *       *   *                                                                      
                                               / \     /         \ /         \                                                     /                                         \             /   \ /     \ / \ /                                                 \ / \ / \     /                                                                                         
                                          *   *   *   *           *           *                                           *   *-*-*                                           *   *       *     *       *   *                                                   *   *   *   *                                                                                          
                                         / \ /     \ /                         \                                         / \ /                                                 \ / \     /                                                                               \ /                                                                                           
                                        *   *       *                           *                                       *   *                                                   *   *   *                                                                                 *                                                                                            
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                              *   *-*-*                                           *   *         *-*                   *                                                               *                                                                                                                                                                                
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                            *   *                                                   *   *     *     *               *                                                                                                                                                                                                                                                  
                           /                                                             \   /       \             /                                                                                                                                                                                                                                                   
    *-*                   *                                                               *-*         *   *       *                                                                                                                                                                                                                                                    
   /   \                 /                                                                             \ / \     /                                                                                                                                                                                                                                                     
  *     *               *                                                                               *   *   *                                                                                                                                                                                                                                                      
 /       \             /                                                                                     \ /                                                                                                                                                                                                                                                       
*         *   *       *                                                                                       *                                                                                                                                                                                                                                                        
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            *   *   *                                                                                                                                                                                                                                                                                                                                                  
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4 [C] Mendelssohn Bartholdy, Felix: Elijah I, I am he
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4 [C] Händel, Georg Friedrich: concerto grosso in A op. 6/11, 4th movement 35
 

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4 [C] Waldteufel, Emil: Ganz allerliebst waltz, 1st theme
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4 [C] Ravel, Maurice: Gaspard de la nuit No. 3 Scarbo, piano
 

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4 [P] Fleetwood Mac: The chain
closing instrumental (transc. A minor)
 

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4 [C] Haydn, Joseph: symphony No. 91 in Eb, 3rd movement trio
 

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4 [C] Ravel, Maurice: Daphnis & Chloë suite/2, 1st theme(b)
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4 [C] Mendelssohn Bartholdy, Felix: sym No. 5 in D op. 107 'Reformation', 1st movement, 2nd theme
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5 [P] Police: Every breath you take
Every breath you take Every move you make Every bond you break E...
 

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5 [C] Hume, Alexander: Flow gently sweet Atton (song)
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Melodic Contour
(Parsons Code):
 
U=Up
D=Down
R=Repeat

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