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Searched Musipedia for:
Melodic contour (Parsons code): DDUDDUUUDUDDUDDUUDDUDDUUDUDDUURUDDUDDUUUDUDDUDDUUDDUDDUUDUDDUURUDRUUUDRUUUDDDDUDDUDDRUUUDDRUUUDDDDUURUDRUUUDRUUUDDDDUDDUDDRUUUDDRUUUDDDDUUR,
which can be visualized as follows:
                                                                                                                                                                                                                                *                                                      
                                                                                                                                                                                                                               / \                                                     
                                                                                                                                                    *                                                                         *   *                                                    
                                                                                                                                                   / \                                                                       /     \                                                   
                                                                                                                                                  *   *                                                               *     *       *                                   *              
                                                                                                                                                 /     \                                                             / \   /         \                                 / \             
*               *   *                                                                                                                     *     *       *                                   *                       *   *-*           *   *                 *         *   *            
 \             / \ / \                                                                                                                   / \   /         \                                 / \                     /                   \ / \               / \       /     \           
  *   *       *   *   *   *       *                             *               *   *                                                   *   *-*           *   *                 *         *   *             *     *                     *   *   *         *   *     *       *       *-*
   \ / \     /         \ / \     / \                           / \             / \ / \                                                 /                   \ / \               / \       /     \           / \   /                           \ / \       /     \   /         \     /   
    *   *   *           *   *   *   *   *       *   *       *-*   *   *       *   *   *   *       *                             *     *                     *   *   *         *   *     *       *       *-*   *-*                             *   *     *       *-*           *   *    
         \ /                 \ /     \ / \     / \ / \     /       \ / \     /         \ / \     / \                           / \   /                           \ / \       /     \   /         \     /                                           \   /                       \ /     
          *                   *       *   *   *   *   *   *         *   *   *           *   *   *   *   *       *   *       *-*   *-*                             *   *     *       *-*           *   *                                             *-*                         *      
                                           \ /         \ /               \ /                 \ /     \ / \     / \ / \     /                                           \   /                       \ /                                                                                 
                                            *           *                 *                   *       *   *   *   *   *   *                                             *-*                         *                                                                                  
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6 [C] Bach, Johann Sebastian: sonata in Gmi for violiniClavier, 2nd movement BWV1020
Sonate für Flöte und obligates Klavier (Cembalo) BWV 1020 2. Satz...
 

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6 [C] Haydn, Joseph: symphony No. 45 in F#mi 'Farewell', 1st movement
 

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6 [C] Sibelius, Jean: symphony No. 3 in C, 3rd movement, 1st theme
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6 [C] Liszt, Franz: Rakoczy march, 3rd theme (Hung'n rhaps No. 15 piano)
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6 [C] Purcell, Henry: Dido and Aeneas With drooping wmgs
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6 [C] Sibelius, Jean: symphony No. 4 in Ami op. 63, 2nd movement 5th theme
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6 [C] Schumann, Robert: Toccata for piano op. 7, 2nd theme
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6 [C] Rachmaninov, Sergei: symphony No. 3 in Ami op. 44, 1st movement, 1st theme
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6 [C] Brahms, Johannes: quintet for clarinet/strings in Bmi op. 115, 4th movement
 

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6 [C] Händel, Georg Friedrich: sonata for flute/fig bass in Bmi op. 1/9, 6th movement
 

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R=Repeat

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